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Constructions of the Real
Intersections of Documentary-based Film Practice and Theory
Edited by Christine Rogers, Kim Munro, Liz Burke, and Catherine Gough-Brady
Intellect Books, 2023
A presentation of nonfiction and documentary filmmaking as a space for formal experimentation and creative interpretation of the world.

Constructions of the Real gathers a wide range of writing from nonfiction and documentary filmmakers from around the world who undertake theoretically informed practice and think through making. The filmmakers and writers featured here explore the rich space between the academy and industry, and they reflect on, interrogate, and explicate their filmmaking practices in relation to questions of form, content, and process. Engaging with current debates about the role of creative scholarship, the contributors make a powerful claim for nonfiction filmmaking as a knowledge-making practice for revealing, critiquing, and interpreting the world.
 
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front cover of The Mechanics of Falling and Other Stories
The Mechanics of Falling and Other Stories
Catherine Brady
University of Nevada Press, 2012

The stories in this collection explore those moments when the seemingly fixed coordinates of our lives abruptly give way—when mother love fractures, a faithful husband abandons his family, a conscientious middle-class life implodes, or loyalty demands an excruciating sacrifice. The characters share a fundamental predicament, the struggle to name and embrace some faith that can break their fall. In equal measure, they hunger for and resist this elusive possibility and what it demands of them.The Mechanics of Falling and Other Stories deals with a range of circumstances and relationships, and with characters who must decide what they are willing to risk for the sake of transformation, or for the right to refuse it. The stories trace the effort to traverse the boundaries between one state and another—between conviction and self-doubt, recklessness and despair, resignation and rebellion. And each story propels the reader to imagine what will happen next, to register the unfinished and always precarious quality of every life.

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